原本是導演紀錄家族和94歲失智奶奶,一起拍攝趣味短片的生活,居然捧紅了奶奶?在鏡頭下變身爆笑諧星的奶奶開始上電台採訪,瞬間變成全台最高齡網紅,全家人還被邀請到大型慈善晚會表演!導演想用戲劇來活絡奶奶的記憶,異想天開動員社區鄰里,一起和奶奶拍一部金剛戰士大戰殭屍的B級電影。然而遇到找演員的困難,還有拍攝前期,手意外受傷的奶奶,接踵而來的狀況,面對已失去短期記憶的奶奶,導演和家族還有社區的鄰居們,究竟要如何完成這場拍攝呢?
1976年,对于中国人来说是一个极其不平凡的年份。史无前例的唐山大地震令生灵涂炭,朱德、周恩来等开国元勋以及伟大领袖毛泽东则相继辞世。站在历史的十字路口上,中华民族的未来迷茫不清。春雷一声响,祸国殃民的文化大革命以及四人帮一朝铲除。国破山河在,百废待兴之际,世人将目光和复兴的殷切期望寄托在了一个小个子的身上。他就是开国功臣邓小平(卢奇 饰),建国后曾经三度被打倒,却仍坚强不屈地挺过了最困难的时刻。等重新走上领导岗位,抓教育、促科学、平冤案、纠方针、重实践、复高考。他走入人民中间,到处“煽风点火”,力挽狂澜将国家的工作重点转移到现代化建设上来。 二十多年励精图治,祖国面貌焕然一新,这正是一曲令人久久铭记的春天的故事……
Every year in France, 92,000 people are placed under psychiatric care without their consent. By law, the hospital has 12 days to bring each patient before a judge. Based on medical records and a doctor’s recommendations, a crucial decision has to be made – will the patient stay or leave? 12 DAYS after which lives can change forever.
一条“百岁高龄”的铁路有什么魅力?现在的滇越铁路是什么样?1月25日至28日21:44,由华侨城·云南文投集团出品的4集纪录片《滇越铁路·生命的故事》在云南卫视播出,对这些问题做出了解答。该片的拍摄制作历时三年,摄制组穿梭于中国云南、越南、法国等地,用镜头记录下了滇越铁路历经百年后的当代故事,从滇越铁路这条铁路的发展,到云南一百年的文化发展的缩影。
《出庭作证》以被告出庭作证的独特视角,讲述了一起犯罪案件的故事。该节目由丹·艾布拉姆斯主持,每集内容涵盖被告的第一手证词、充满争议的交叉质询,直至最终判决。出庭作证为自己辩护是一场赌博,很少有刑事案件会……
《望长安》是一部用优美影像探索陕西 历史文化的大型人文纪录片,由中共陕西省委宣传部、陕西省人民政府新闻办公室、陕西电视台联合摄制。8月3日至7日,这部系列片将作为《经济半小时》特别节目,在中央电视台经济频道播出。10集系列片《望长安》是中共陕西省委宣传部重大文化项目精品工程,该片详尽、系统地阐述了中国历史上最为辉煌的周、秦、汉、唐时期所创造的灿烂的文化,讴歌了那些历史年代给今天的中华文化乃至世界文明所带来的博大、深远的影响。“长相思,在长安”。这部电视纪录片,首次真实而全面地展现了陕西地区的文化风貌,深刻思考了陕西文化的原创力、开放性、交融度和辐射力,及其对中华文化之形成的重要作用;分析了其背后的政治、经济、历史文化等深层原因,并通过对陕南、关中、陕北三地众多历史细节的诠释,演绎了一个个文化故事,为三秦大地勾勒出一幅波澜壮阔的历史画卷。 这也是我省首部全面、系统、深入反映人文陕西的大型系列节目,也是首部以文化视角深度解读陕西人文历史的电视系列片。如此大规模、全景式、理性与激情并存的反映三秦往事及秦人风骨的电视纪录片,不能说绝后,但可谓空前。诸多专家观后均称好。 该片拍摄制作周期历时两年,采访了国内30多名著名文化历史专家。该片的解说由中央电视台副台长、中央新闻电影制片厂厂长高峰担纲,诗意绵长,蕴涵丰厚。著名文化学者余秋雨题写片名。 该系列片共10集,每集30分钟。包括秦砖汉瓦、盛世之光、中国原点、长治久安、有容乃大、雁塔题名、古调独弹、鼓舞风神、圣地延安、西望长安。据悉,中央电视台经济频道打破常规编排,晚间6小时内连续两次滚动播出。具体播出时间为8月3日到7日,首播17:55,23:00重播。 “长相思,在长安”。 这部取意于李白诗歌的电视纪录片,贯彻着对陕西文化的原创力、开放性、交融度和辐射力的深刻思考,首次真实而全面地再现了陕西地区的文化风貌,探寻了陕西地域文化在中华文明之形成发展过程中的重要作用。 《望长安》,一部旨在用优美影像探索陕西历史文化的大型电视纪录片,由国内顶级制作团队,运用高端影像设备,花费三年时间精心完成。共分为“秦砖汉瓦”、“盛世之光”、“中国原点”、“长治久安”、“有容乃大”、“雁塔题名”、“古调独弹”、“鼓舞风神”、“圣地延安”和“西望长安”等十集。
Sex workers Holiday, Endza, Cayenne, and Jessie give clients intimate experiences ranging from the pleasurable to the painful. In the process, they give a deep dive into their personal lives. Following these four sex workers in Seattle, Sex Next Door is a documentary with unprecedented, uncensored access into the sex work industry. The series pulls back the curtain on an often stigmatized profession, resulting in a candid, surprising glimpse into its workers' relationships with family, clients, and partners.
这是一部实验性的非虚构作品,描绘了撒旦教会——一个遍布全球、已有半个世纪历史的宗教,它崇尚肉欲和个人主义,并以撒旦为核心人物。影片探索了当今撒旦教徒的生活,展现了他们的日常生活和参与的神秘仪式。
影片简介: 《怪谈》原班人马将带你进入最惊吓的灵异新境界!摄制队搵命搏将观众从未目睹的灵异猛料破禁大晒冷,灵体、尸体及裸体样样齐,全新摄制激爆内容挑战III级尺度。千亿遗产风水专家证人司徒法正更亲自率领摄制队闯入东南亚各死亡禁地。出位踩界的「搵鬼」行程极度震撼,既有女主持Rachel夜探停尸间向尸体丧喷阳气引发中邪疑云、摄制队又踩入怡保的猛鬼晒骨村大玩碟仙,还跟随执尸队见死人即摆阵招魂。令人毛骨悚然的奇人异士纷纷现身,当中包括黑巫师活咬生鸡喂「鬼仔」、鲸吞怪虫解降的法师及进行猥亵和合降……电影《怪谈》要惊有惊要鬼有鬼,够胆你就?!
米高柏林:“ 这次旅程包括了我人生中一些最可怕的经历。我们是苏联瓦解前最后一队到访的摄制队,又曾经过苏丹和伊索比亚的战区边缘。见过巫医后的倒霉经历令人心寒,而不能由好望角乘船到南极也令人难忘。” 米高沿着经度30度的旅程跨越17个国家,由北半球的格陵兰和肯亚到南半球的南非和智利。途中经历了共产政府解体、废除种族隔离政策和内战,米高更遇到圣诞老人和列宁,又在恩图曼买骆驼和到南极作最后冲刺。
The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. Alexander Kluge: The Power of Feeling When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster. The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public. The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim. I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
单亲母亲安娜和她的四个孩子住在乌克兰顿巴斯战区前线。当外面的世界充满了爆炸和混乱,这个家庭试图把他们的家作为一个充满生命和光明的安全避难所 。每一个家庭成员都对电影都充满热情,因此他们试图拍摄一部受战时生活启发的电影。这一创作过程讨论了在灾难时期,电影能拥有什么样的力量。对安娜和孩子们来说,将创伤转化为艺术作品是保持人性的最终途径。
盘点在广袤亚洲大陆上生存的已知及未知名的危险动物,包括科莫多巨蜥、孟加拉虎、鲨鱼、大象和鳄鱼。这72种危险动物坐拥数百万的数量,出没在世界各地的度假天堂,或许您不想在下一次度假时遇到他们。